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    <title>MONSOON</title>
    <link>http://www.kobaltworks.be/monsoon/</link>
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    <image>
      <url>http://www.kobaltworks.be/monsoon//nucleus/nucleus2.gif</url>
      <title>MONSOON</title>
      <link>http://www.kobaltworks.be/monsoon/</link>
    </image>
    <item>
 <title>arts space</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=49</link>
<description><![CDATA[hi guys,<br />
<br />
i posted two sites of two arts spaces in my city, yogyakarta (indonesia). if you jump to yogya with any idea, hope it helps.....<br />
<br />
www.cemetiarthouse.com<br />
www.kedaikebun.com<br />
<br />
both of them i know well<br />
tx<br />
<br />]]></description>
 <category>monsoon</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=49</comments>
 <pubDate>Tue, 12 Dec 2006 18:35:07 +0100</pubDate>
</item><item>
 <title>media coverage</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=48</link>
<description><![CDATA[forgot to paste the media coverage
http://www.thejakartapost.com/yesterdaydetail.asp?fileid=20051015.Q01]]></description>
 <category>monsoon</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=48</comments>
 <pubDate>Mon, 11 Dec 2006 16:15:55 +0100</pubDate>
</item><item>
 <title>here the story</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=47</link>
<description><![CDATA[here i found a media coverage (in English by The Jakarta Post) about my previous project with the story shop ]]></description>
 <category>monsoon</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=47</comments>
 <pubDate>Mon, 11 Dec 2006 16:14:21 +0100</pubDate>
</item><item>
 <title>side interest</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=46</link>
<description><![CDATA[i like this thai film director's movies<a onclick="MM_openBrWindow('../pavillon/joe.html','joe','top=100,left=50,width=600,height=500')" href="http://www.palaisdetokyo.com/fr/pavillon/pavillo.htm#"><br />Apichatpong Weerasethakul</a><br />'tropical malady' in english title<br />or 's<a href="http://www.imdb.com/title/tt0381668/" >ud pralad</a>' (2004)]]></description>
 <category>monsoon</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=46</comments>
 <pubDate>Fri, 8 Dec 2006 18:21:29 +0100</pubDate>
</item><item>
 <title>quick view of my work</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=45</link>
<description><![CDATA[<a href="http://www.pilotlondon.org/artists/details.php?id=51" >http://www.pilotlondon.org/artists/details.php?id=51</a>]]></description>
 <category>profiles</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=45</comments>
 <pubDate>Fri, 8 Dec 2006 18:12:14 +0100</pubDate>
</item><item>
 <title>pecha-kucha</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=44</link>
<description><![CDATA[i just have had a quick visit on <br /><a href="http://www.pecha-kucha.org/" >http://www.pecha-kucha.org/</a><br />as mervin suggested before (long time ago i must say)<br />and i found interesting comcerning "time line"<br />that means time limited presentation of pictures<br />as we did actually in ansan&nbsp; ;-)<br />]]></description>
 <category>procedures</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=44</comments>
 <pubDate>Fri, 8 Dec 2006 18:05:23 +0100</pubDate>
</item><item>
 <title>PROUST : Choi ZinA</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=43</link>
<description><![CDATA[here are the answers of Choi ZinA<b>What do you regard as the biggest misery?</b><br>
Sleeping alone<br>
<b>Where would you like to live?</b><br>
Countryside with wind, rain, sunlight...<br>
<b>What is your idea of earthly happiness?</b><br>
Hugging, dozing, lazy<br>
<b>To what faults do you forgive the most easy?</b><br>
unless intention<br>
<b>Who are your favorite heroes of fiction?</b><br>
..<br>
<b>Who are your favorite characters in history?</b><br>
Jesus, budda<br>
<b>Who are your favorite heroines in real life?</b><br>
..<br>
<b>Who are your favorite heroines of fiction?</b><br>
..<br>
<b>Your favorite painter?</b><br>
Van Gogh<br>
<b>Your favorite musician?</b><br>
Queen, Kim KwangSeuk(Korean singer)<br>
<b>The quality you most admire in a man?</b><br>
Soft<br>
<b>The quality you most admire in a woman?</b><br>
soft<br>
<b>Your favorite virtue?</b><br>
Real. Frank. Urgent. Love.<br>
<b>Your favorite occupation?</b><br>
Artist. Jobless.<br>
<b>Who would you have liked to be?</b><br>
Good person<br>
<b>Your most marked characteristic?</b><br>
kindness<br>
<b>What do you most value in your friends?</b><br>
Spirit. Be beside me.<br>
<b>What is your main defect?</b><br>
timid<br>
<b>What is your dream of happiness?</b><br>
Be dim. Fullness. Empty.<br>
<b>The greatest of misfortunes?</b><br>
Be alone. Inability.<br>
<b>What would you like to be?</b><br>
artist<br>
<b>In what country would you like to live?</b><br>
Here. Or strange place anywhere.<br>
<b>What is your favorite color?</b><br>
yellow<br>
<b>What is your favorite flower?</b><br>
Mum(chrysanthemum)<br>
<b>What is your favorite bird?</b><br>
eagle<br>
<b>Who are your favorite prose writers?</b><br>
Bernard-Marie Koltes<br>
<b>Who are your favorite poets?</b><br>
Gi Hyoung-Do<br>
<b>Who is your favorite hero of fiction?</b><br>
..<br>
<b>Who are your favorite heroines of fiction?</b><br>
..<br>
<b>Who are your favorite composers?</b><br>
..<br>
<b>Who are your favorite painters?</b><br>
..<br>
<b>Who are your heroes in real life?</b><br>
..<br>
<b>Who are your favorite heroines of history?</b><br>
..<br>
<b>What is it you most dislike?</b><br>
Lie<br>
<b>What historical figures do you most despise?</b><br>
..<br>
<b>What event in military history do you most admire?</b><br>
..<br>
<b>What reform do you most admire?</b><br>
..<br>
<b>What natural gift would you most like to possess?</b><br>
Sensitive and sensible insight<br>
<b>How would you like to die?</b><br>
Calmly, Accidently, Missing my freinds, family, lovers.<br>
<b>What is your present state of mind?</b><br>
depressed<br>
<b>What is your motto?</b><br>
All the best. That’s only one I do.]]></description>
 <category>PROUST</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=43</comments>
 <pubDate>Mon, 4 Dec 2006 11:05:42 +0100</pubDate>
</item><item>
 <title>walk this way</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=42</link>
<description><![CDATA[the walk from hotel las vegas to&nbsp;ansan culture and arts centre is about 15 to 30 minutes. from the hotel, head right and&nbsp;just keep walking&nbsp;along&nbsp;jungang main road. but fellow tropical creatures be warned--breezy subzero&nbsp;mornings, bo!<br /><br />the other option is the train from jungang to gojan (W 900). it's just one stop away. the centre's that swanky new complex right in front of the station.]]></description>
 <category>monsoon</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=42</comments>
 <pubDate>Sun, 3 Dec 2006 07:31:39 +0100</pubDate>
</item><item>
 <title>working together - by André</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=41</link>
<description><![CDATA[We definitely should have a time to introduce the work we do or did until now. But i would take too much time like two hours. I would be fine with half an hours. Me myself, i would prefer not to lecture about my work, but to exercise it with everyone who likes to join. This way gives a quick and practice view into what is interesting to me. 

Remembering the experience at colina last year i found it very helpful meeting in the morning, giving a feedback on the work, and meet in the evening to see, if things are rolling, who need support, who is unsatisfied or who is doing well. 

Morning meetings: I think it would be great, if in the morning we are not just meeting to drink coffee and talk, but to find a different way of meeting and starting the day. Could be a physical warm up, a common massage, listening to music, singing, or what ever. Coming together in different ways. 

How to start the working together. In my company we are always working collectively, developing the material together, starting from nothing more than a subject. Everyone is involved into the creation of the production. A lot of actors have problems with this, because usually in the German theatre actors are given a text, a character they have to create inside the concept of the director. We are trying to go a different way and develop the show like an avalanche. With a brainstorming in the beginning. Every idea, silly or bright is great, and has to be tested. No one is judging. It is a ongoing process from the „table to the Floor„ and back. I could imagine to work like this at monsoon. 

Working together or separately? 
If we are not more than 10 people it would enjoy to work all together one thing, or working all together in the morning and in small groups ore single in the afternoon. 

First shut. See you on Monday. 
andré ]]></description>
 <category>monsoon</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=41</comments>
 <pubDate>Sat, 2 Dec 2006 17:05:27 +0100</pubDate>
</item><item>
 <title>Monsoon</title>
 <link>http://www.kobaltworks.be/monsoon/index.php?itemid=40</link>
<description><![CDATA[Hi Sally and Arco, first of all I would like to thank you for inviting me to the platform. I would be very happy to participate and share a working-period together. After my conversation with Sally this week I started thinking what a bridge like Monsoon could result in or what it would trigger in me and had to think about several things. First of all I think that it is a good thing to not focus on the differences. There are too many small (and big) differences to talk about in ten days. If Monsoon would aim at creating an understanding from both sides it would probably have to be at least 10 weeks instead of 10 days. For me this impossibility of understanding is more interesting. I believe that it was Ivana Muller that said to Sally that she would be interested to know how Asians would see her work. What happens in the translation towards another cultural “pallet”? I believe that we can not understand, we understand common ground, but specific culturally embedded features and topics are merely receivable by “framing” them amongst the things you know. If the purple dot is a foreign cultural product, the three dots would be the person trying to understand it and adapting different knowledge to fill in the gaps (and vise versa). <br /><br /><img src="/monsoon/media/paul/paul1.jpg" alt="paul1.jpg" title="paul1.jpg" style="border: 5px solid rgb(255, 255, 255); vertical-align: middle;" height="189" width="283" /><br /><br />¸ÅÁ¡ £Û£ë£ï£õ£ò¢¥£é:¡Ó£Ý ÇÑ±¹&nbsp; =&nbsp; cultural exchange as translated from English to Korean through a translation site.<br /><br />What is really interesting about this impossibility is that another production is made like that. A doubling takes place within this translation from one “pallet” to the other.&nbsp; Different interpretations, links and space are opened. <br />Some years ago I made a work in a neighbourhood in Den Bosch (NL) The art space that invited me to make a work had the explicit wish (that was driven by the local politicians) to make a work for the neighbourhood surrounding the art space. In the letter that I received explaining their point of view they wrote that they wanted to embrace the neighbourhood, were curious who was living there etc. etc. None of that was really true; they needed to show the local politicians that they were doing something for the locals (as well). I was free in my choice of what I would do there. I decided to have coffee with a lot of inhabitants and while doing so I recorded stories and anecdotes on video as they were circling around in the common memory about this area. After ten days I had a collection of stories and started having doubled or sometimes numerous versions of one story. I decided to use those layers of information and interpretation to ‘corrupt’ these anecdotes. Together with several people that I met in the neighbourhood I wrote new versions, sometimes subtle, sometimes very grotesque to add to this pool of stories. The new versions were recorded (told by the locals) and later screened in the local cultural-centre amongst all the “true” versions. &nbsp;<br />I can image that this re-telling, interpretation, would be interesting for me to work with in Seoul. It is also a universal thing. All artists I know are dealing with this.<br />Another work that I recalled, while reading the Monsoon-statement once more, was a work I did when I just moved to Antwerp. I didn’t know the city that well, so I usually went a lot outside to have long walks through the city. After a while I started to get to know the place and thought of (Dérive-kind) of things to do. I (for example) followed a person with a hat, a blue jacket etc. Later, I tried to memorize the gestures and moves that that person had made and in order to remember these details I took a small dictaphone in my pocket. I would follow a person and describe his or her movements and actions. These recorded descriptions functioned later as a manual for movement through a town. I would apply this to the same and other places (the recorded voice gave me directions) and would listen (and walk) sometimes weeks after I recorded it. Some friends walked my tapes. I can imagine that it would be great to apply a very simple method like this in Monsoon. One records a drift and gives it to another that translates the tape in a different way. <br /><br /><br />Five images googled under the keyword: cultural exchange<br /><br /><a href="../media/paul/paul6.jpg"  target="_blank"><a href="/monsoon/media/paul/paul2.jpg" target="_blank"><img src="/monsoon/media/paul/paul2.jpg" alt="paul2.jpg" title="paul2.jpg" style="border: 5px solid rgb(255, 255, 255); float: left;" height="80" width="54"><a href="/monsoon/media/paul/paul3.jpg" target="_blank"><img src="/monsoon/media/paul/paul3.jpg" alt="paul3.jpg" title="paul3.jpg" style="border: 5px solid rgb(255, 255, 255); float: left;" height="80" width="125"><a href="/monsoon/media/paul/paul4.jpg" target="_blank"><img src="/monsoon/media/paul/paul4.jpg" alt="paul4.jpg" title="paul4.jpg" style="border: 5px solid rgb(255, 255, 255); float: left;" height="80" width="113"><a href="/monsoon/media/paul/paul5.jpg" target="_blank"><img src="/monsoon/media/paul/paul5.jpg" alt="paul5.jpg" title="paul5.jpg" style="border: 5px solid rgb(255, 255, 255); float: left;" height="80" width="123"><a href="/monsoon/media/paul/paul6.jpg" target="_blank"><img src="/monsoon/media/paul/paul6.jpg" alt="paul6.jpg" title="paul6.jpg" style="border: 5px solid rgb(255, 255, 255); float: left;" height="80" width="126"></a></a></a></a></a><br /></a><div style="clear: both;"><!--//--></div>Well that’s all for now, I have to start running to the train. Hope you’ll have a good weekend, if something comes to my mind I’ll let you know…&nbsp; All the best, Paul
<div class="itembody">
</div>]]></description>
 <category>monsoon</category>
<comments>http://www.kobaltworks.be/monsoon/index.php?itemid=40</comments>
 <pubDate>Fri, 1 Dec 2006 14:06:23 +0100</pubDate>
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